Xifeng is invited to help with the poetry
club and Baoyu starts helping Xichun with her painting. Daiyu is ill again, and
she bonds further with Baochai. Baoyu visits in the rain; she burns a poem so
he can’t read it. She lies awake, deep in thought.
Hong Lou Meng is one of the most beautiful and important novels in world literature, but, well... it's a bit long. And a bit dense, especially in translation. So I'll be posting an English summary, a chapter per day, a supercondensed summary and maybe other thoughts or articles. I use the 1791 Cheng-Gao version, simplified characters, pinyin and Hawkes' English character names, as they are so much more evocative and distinctive. Whether you're a student, a literary fan, or just curious, enjoy.
Showing posts with label 45. Show all posts
Showing posts with label 45. Show all posts
Tuesday, 17 April 2012
Chapter 45
金兰契互剖金兰语
风雨夕闷制风雨词
The
cousins are served tea; Tanchun asks Xifeng to act as the poetry club
disciplinary officer and to help find equipment for Xichun. She guesses
correctly that they’re really after financial backing. She mocks Li Wan for
seeming to be a poor widow, when in truth she has good land and income,
prompting a heated, light-hearted response. The jokes turn to Xifeng’s beating
of Patience, making her uncomfortable. Li Wan presses Xifeng to settle her
business in a frank exchange, and she helps with Xichun’s equipment. Before
leaving, they ask how they should punish Baoyu; Xifeng suggests making him
sweep all their floors. Lai Da’s old mother comes in before they can leave, and
talks about her grandson and discipline, telling Baoyu his father doesn’t
discipline him enough and talking at length about the family’s previous black
sheep. Other ladies arrive, reminding her why she came; to invite the household
to the celebrations for her grandson’s official position. With Zhou Rui’s wife
present, she then asks about her son being dismissed; Xifeng confirms this,
saying that he was drunk and disorderly. She agrees not to dismiss him, but to
beat him instead. That evening, about half of the required equipment is found
in the storeroom, and Baoyu starts helping Xichun with the painting, and
Baochai starts sewing late into the night.
It
is after the autumn equinox, and Daiyu is getting ill again, and is exhausted
from the summer activities – her illness is worse than ever. Learning from
experience, the others are never sharp with her, knowing how hypersensitive she
is. Baochai suggests she consult and expert, and recommends changes to her
prescription. Daiyu is grateful to her, but is embarrassed by the inconvenience
put to everyone by her poor constitution, so doesn’t feel she can ask for more
medicine. They bond, as outsiders in the household, although Daiyu remembers
Baochai’s close family, and promise to talk again that evening.
Daiyu
eats, and listens to the autumn rain – Baochai won’t be able to come after all.
She writes a poem. Baoyu arrives in rain cape and hat and scrutinises her. He
tells her the outfit came from the Prince of Beijing, and she coughs with
embarrassment at a remark about being a fishwife, unnoticed by Baoyu. He reads
her poem, she snatches it and burns it. He leaves so that she can sleep, she
lends him a rain lamp. Ladies arrive from Baochai’s with her recommended
medicine. She invites them to stay, but they are in the middle of gambling.
Daiyu lies in bed and thinks of Baochai fondly, but not without envy at her
family. She thinks of Baoyu too, with regret at the recent suspicion and
misunderstanding between them. She cries, and doesn’t sleep until the early
hours.
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